Logo of Archive of Feeling with black text on a transparent background

A VIDEOGRAPHY STUDIO based in Chicago specializing in WEDDING FILMS. Documenting moments with RESTRAINT. Allowing FEELING to unfold. AN ARCHIVE IN MOTION

S & C / MICHIGAN
@Private Residence

ARCHIVE
ARCHIVE

C & R / CHICAGO
@The Armour House at Lake Forest

N & M / CHICAGO
@The Old Post Office Th

T & K / CHICAGO
@The Art Institute of Chicago

I’m Tony.
The filmmaker behind
ARCHIVE OF FEELING.

I’m a wedding filmmaker based in Chicago, documenting with an editorial sensibility and a restrained approach. I work quietly, without over-directing or manufacturing moments. My role is to read the room, protect the atmosphere of the day, and preserve what is already there.

With over a decade behind the camera, I understand timing, pressure, and presence. I move with intention, work within the rhythm of the day, and shape each film with care in the edit. The goal is not spectacle. It is to create something that brings you back to how it felt.

ABOUT
ABOUT
A man in a black suit and hat standing on a grey studio backdrop, looking down with hands adjusting his jacket, casting a shadow on the background.

ANATOLIY FUCHKO

Based in Chicago—Serving Worldwide

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“He didn’t just capture our day; he understood our vision and executed it in a way that felt completely authentic to us.”

SARA & CARTER

FOR WEDDINGS APPROACHED WITH INTENTION, AND FILMS MADE TO LAST.

FOR WEDDINGS APPROACHED WITH INTENTION, AND FILMS MADE TO LAST.

Inside a museum with classical architecture, displayed sculptures, and framed paintings. Two visitors are taking photos in front of a large statue. A sign reads 'Art of Europe Before 1900'.

A CALM PRESENCE MATTERS

The way a filmmaker works affects more than the footage. It shapes the atmosphere of the day. The best vendors understand when to step in and when to step back. My role is to document with care, while staying attuned to the rhythm of the day and the people shaping it. That means working with discretion, respecting the atmosphere, and creating films that feel as considered as the celebration itself.

A man in a tuxedo sitting against a wall in a stairwell with a contemplative expression.
A newlywed couple holding hands and walking down a staircase, the groom in a tuxedo and the bride in a white wedding dress.
A person holding a camera with a monitor attached, wearing a watch and showing a tattooed arm, in black and white photograph.

ALLOWING FEELING TO UNFOLD

Years from now, details will blur. But the feeling, the weight in your chest, the calm before walking down the aisle, the way the room shifted during a speech, that remains. A wedding film is not a highlight reel. The goal is not spectacle. The goal is emotional truth.

INQUIRE
INQUIRE